I think the whole white balance thing can be redone.. some of it would probably have to take place in indigo and some in skindigo.
right now, there are a bunch of different scales being used of which i only recognize 2 of them.. kelvin (at least i think that's what the 9300 is) and spectral (d65 etc)
the order they are listed in from top to bottom is weird in that they go from cool to warm in groups of 2 or 3 instead of gradually warming throughout the list..
it's basically a guessing game to get the color balance right when in fact it could all done very accurately and easily (seeing how all the work is being done on a computer instead of in the field)
it'd be nice to have an adjustable kelvin scale in there (for example) or some other method that is much more understandable.. the whitepoint x & y?? what's that?

.. i'm pretty sure
nobody using this app knows what all that stuff means and/or how to use it properly so it shouldn't be in there in the way it is.. it has to be more user friendly (a lot more imo)
where skindigo comes into play is this: i feel like we should be able to take a reading in SU much the same way a photographer could do.. it could work something like the sun positioning tool.. we could place an 18% grey card in the scene and the white balance would be set off of that. (if you're shooting a photo, you can take a shot of the scene that has a grey card in it.. in photoshop, you'd click an eyedropper on the grey card and the rest of the color balance is set off it.. the grey card is made grey while all the other colors adjust accordingly)
the bonus is that we don't have to actually make a picture with the grey card in it and then adjust subsequent photos in similar lighting to the test picture.. it's all done with a mouse click in the actual frame being rendered)
mixed lighting poses a challenge for photogs but this also could be dealt with using the method described above.. if you have a scene with a fluorescent lit interior and sunlight from the outside, you could place your grey card accordingly.. do you want the balance set for the warmer sunlight or cooler florescent? etc... we'd just put our grey card in the area we want true or-- on or near an object in the scene that we want to be the correct color.
i'm not positive this is the best solution to the current white balance setup but i'm pretty sure something has to be done about it.. (or, i guess, i can continue to do the color balancing in photoshop but i really think it can be done as good as or better than using indigo itself)