A reminder - if you want to purchase before the price rise to 595€, you need to purchase Indigo before the 1st of February. Use the buy now button, or contact us for volume licence pricing.

When we moved into the new office, one of our requirements was to have parking for our preferred method of transportation. With the acquisition of some new hooks, we finally have somewhere to park our wheels:

Indigo 2.4 is under development at the moment, and will be a significant improvement over Indigo 2.2 in one department: Good looks. Indigo has always had a great render engine (and there's lots more to come in that department), but Indigo 2.4 is all about making the user interface sexy, fast and a j

We've started a belated and short-running January competition. Secret prizes may be given out to the winner. :)

This beautiful sofa render was modelled, textured and rendered by dcm. It's awesome what Indigo can do with just two lamps and some indirect sunlight. Well done dcm!

Yves and Ben have been working away on the user interface improvements in Indigo 2.4. Nothing ground breaking yet, just fixing lots of quirky little bugs and making Indigo nicer to use in your daily workflow. Some ideas for a very slightly redesigned renderer settings dialog:    

Thanks to our Italian, German and New Zealand resellers, we've had our largest sales month ever. Thanks for your support old time Indigeans, and welcome to all our new customers!

As from February 1st, Indigo 2 will cost 595€ and node licences will cost 195€. This price rise reflects the continued development of Indigo and the new documentation, user interface improvements since Indigos commercial release. If you are keen to lock in Indigo 2 at the current price of 295€

We were looking through some old renders created using Indigo renderer back in 2005. This one in particular shows how far we've come in the past 4 years:

This fantastic render was done by StompinTom. He mentions using Indigos realtime tonemapping to export the image at three different exposure levels, and then blending between the images in photoshop to give a dodge/burn effect such that professional photographers sometimes do.