Hi guys
I'm curious as to which of the two internal renders you prefer. Personally I prefer the less dramatically lit version whereas my client wanted to go with the one with the sun coming in casting multiple shadows. I'd be very interested to know everyone's thoughts because if the consensus is they prefer the dramatic version then I might have to go with this aesthetic for future renders
Cheers!
Noel
New Interior Visualisation - Comparison opinion
Re: New Interior Visualisation - Comparison opinion
I'd say you use the incoming Sun version but divide sun & sky via LightLayer.
Now you reduce the sun power so its less dominating but stays interesting
Now you reduce the sun power so its less dominating but stays interesting
polygonmanufaktur.de
Re: New Interior Visualisation - Comparison opinion
Good tip, thanks ZomB!
- Oscar J
- Posts: 2204
- Joined: Sat Mar 31, 2012 3:47 am
- Location: Gothenburg, Sweden
- 3D Software: Blender
Re: New Interior Visualisation - Comparison opinion
I prefer the sunshine one. Zom-B made a good suggestion - there are also other HDRIs that might throw slightly less sharp and contrasty shadows into the interior (it slightly interferes with the interior design.)
Re: New Interior Visualisation - Comparison opinion
Hi Oscar
Thanks for your reply! Could you send me the name of the website where you get your HDRIs please? I think I need to upgrade the ones I have
Thanks!
Thanks for your reply! Could you send me the name of the website where you get your HDRIs please? I think I need to upgrade the ones I have
Thanks!
Re: New Interior Visualisation - Comparison opinion
Sunny one, as it gives more lively, dynamic impression.
also, along using Light layers, take care of reflections (with bright outdoor, interior doesn't reflect as much as in your image)
also, along using Light layers, take care of reflections (with bright outdoor, interior doesn't reflect as much as in your image)
Re: New Interior Visualisation - Comparison opinion
Hi!
I like the multiple shadows
Maybe you should try adding volumetric lighting, and dust, it works on the CPU and creates a poetic atmosphere. Good air for this was done by Zalevskiy.
There is an interesting example of work by user yonosoy
viewtopic.php?f=3&t=12049&start=150#p142494
viewtopic.php?f=3&t=12049&start=165#p142869
You can also make it a little livelier by adding an unreadable interesting magazine casually laid on the table. Or a cup of coffee with a cake. Or you can use the cat sleeping on the couch. Cat fur can be obtained in 15 minutes in any available render in a separate layer, for further blending in Photoshop.
Well, you can put a tall plant in a tub, for example a monstera or something from the Strelitzia family. With simple thin material, you get the luxurious light transmission effect through the leaves.
And I would recommend using the gobo texture of the tree to enrich your shadows. This brings a very dramatic effect.
If your artistic vision gravitates to the second option - make a rain outside the window, with luxurious wet and slightly fogged glasses, and aperture diffraction on street lamps.
I like the multiple shadows
Maybe you should try adding volumetric lighting, and dust, it works on the CPU and creates a poetic atmosphere. Good air for this was done by Zalevskiy.
There is an interesting example of work by user yonosoy
viewtopic.php?f=3&t=12049&start=150#p142494
viewtopic.php?f=3&t=12049&start=165#p142869
You can also make it a little livelier by adding an unreadable interesting magazine casually laid on the table. Or a cup of coffee with a cake. Or you can use the cat sleeping on the couch. Cat fur can be obtained in 15 minutes in any available render in a separate layer, for further blending in Photoshop.
Well, you can put a tall plant in a tub, for example a monstera or something from the Strelitzia family. With simple thin material, you get the luxurious light transmission effect through the leaves.
And I would recommend using the gobo texture of the tree to enrich your shadows. This brings a very dramatic effect.
If your artistic vision gravitates to the second option - make a rain outside the window, with luxurious wet and slightly fogged glasses, and aperture diffraction on street lamps.
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