pavoda wrote: ↑

Mon Aug 01, 2022 9:16 pm

i found the cause of these farflies...it's due to a very bright and small light source...usually the sun or a bright spot in the HDR sky

Glad that you solved the problem

Hi, first- you need indigo full no RT version, second - make plane with luminance material into the window, third - make it invisible to camera. It is composition tag...Not sure how to make in Sketchup. Try it. Let me know if you if you did it. I have Full not RT, I tried your method, I put rectang...

Hi noelyone, it's mainly about the camera tonemapping. I use agfapan-apx 400-sCD and other color tuning I do postproduction in the Lightroom. But there is one secret tip to speed up rendering and make the interior brighter. In front of the windows glass is put area light. It must be invisible, with...

yonosoy wrote: ↑

Sun Jul 10, 2022 10:11 pm

So many thanks!
Arquitectural studies...
O-55.jpg
catedral_2022.jpg
catedral_2022_2.jpg

Nice studies, hope to see more

If you can tell me which tonemapping you are using here ... Reinhard, Camera, or Filmic?, BTW nice carpet, is it a block, or did you use a displacement map?

Ok, thanks, I will try it...But I struggeling with another - Farflies, Can not use Max contribution with denoising and gpu rendering, it not work and aperture diffraction highlights this these farflies...just look, any tips? You are welcome, You can ask me about anything and I'm here to help, First...

Working around with IES I realized that is not possible to simply apply the IES profile to the polygons of a bulb. IES expetcs a simple polygonal plane. Almost here the light pattern of the IES is lighting from every polygon of the bulb with odd results. Then I substitute some bulbs per polygons pl...

Just realized that bidirectional mode works without the need of any trick for earth simulation (not for a patch !!). Indigo v4.0.41 starts to sample but freezes at minute two. Bidirectional metropolis because I want to capture the reflection of the physical aperture difraction. I must to compare it...

thanks, it is interesting procedure...why you active aperture diffraction and denoise after finish render? It's a good question, I read tutorials and pdfs here that it's ideal for checking the denoise after finishing the render as it's more efficient regarding the time, if denoise is activated from...

And these are other shots from the same project

Another shot but with 6 blades this time

Nice...How you achieve it? GPu, cpu, denoising, time...? BTW, Little bit too could the last one for me (white balance) Thanks, Pavoda :) Actually, It's a little bit tricky, after many trials I feel that I understand how this little boy works, in tonemapping I choose a camera option, under the camer...

Finally, I managed to achieve a good Aperture diffraction in my latest work

Living Space

Living+dining